If there’s a window, draw the curtains or pull down the shades unless it looks out at a blank wall.”Ĥ.
#On writing a memoir of the craft tv#
“There should be no telephone in your writing room, certainly no TV or videogames for you to fool around with. “Write with the door closed, and rewrite with the door open.” Whatever you do, stay by the desk and eliminate distractions. Find yourself a closed space, and, if that doesn’t work, find yourself an open space. Just remember before you do that Dumbo didn’t need the feather the magic was in him.”ģ. “Dumbo got airborne with the help of a magic feather you may feel the urge to grasp a passive verb or one of those nasty adverbs for the same reason. ‘Purge this quisling thought! Don’t be a muggle! Throw back your shoulders, stick out your chin, and put that meeting in charge! Write ‘The meeting’s at seven.’ There, by God! Don’t you feel better?” The timid fellow writes “The meeting will be held at seven o’clock” because that somehow says to him, ‘Put it this way and people will believe you really know.
“Timid writers like passive verbs for the same reason that timid lovers like passive partners. “You can’t please all of the readers all of the time you can’t please even some of the readers all of the time, but you really ought to try to please at least some of the readers some of the time.” Your stuff starts out being just for you, but then it goes out.” When you rewrite, your main job is taking out all the things that are not the story. “When you write a story, you’re telling yourself the story. Remember you are writing for yourself, and then remember there will be an audience reading it. Amongst the abundant tips he has provided for aspiring writers in his book “On Writing: A Memoir of the Craft”, we’ve selected some to create this non-comprehensive list.ġ. Even if you are not a fan of his terrifying thrillers, you must approve of his impressive agility in writing.
#On writing a memoir of the craft how to#
Just “He looked at her.”Įxample 2: “For some reason he had to go back to that house.” Now, really–how lazy is that?Īs one of the most prolific American authors, he knows exactly how to get under readers’ skin and deliver them with the most spine-chilling stories. Brilliantly structured, friendly and inspiring, On Writing will empower and entertain everyone who reads it-fans, writers, and anyone who loves a great story well told.Author of horror, supernatural fiction, fantasy, science-fiction, and, not to mention, the King of Twitter, Stephen King is third highest-paid author in the world.Īspiring fiction writer? Cool! Here are 2 phrases you must NEVER use: “for a long moment” and “for some reason.” Find another way!Įxample 1: “He looked at her for a long moment.” No. King's advice is grounded in his vivid memories from childhood through his emergence as a writer, from his struggling early career to his widely reported, near-fatal accident in 1999-and how the inextricable link between writing and living spurred his recovery. Part memoir, part master class by one of the bestselling authors of all time, this superb volume is a revealing and practical view of the writer's craft, comprising the basic tools of the trade every writer must have. "Long live the King" hailed Entertainment Weekly upon publication of Stephen King's On Writing. Twentieth Anniversary Edition with Contributions from Joe Hill and Owen King ONE OF TIME MAGAZINE'S TOP 100 NONFICTION BOOKS OF ALL TIME Immensely helpful and illuminating to any aspiring writer, this special edition of Stephen King's critically lauded, million-copy bestseller shares the experiences, habits, and convictions that have shaped him and his work.
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